The hands that dress the world.

Co-founded Nutters of Savile Row in 1969 and brought flamboyant, sculpted tailoring to a conservative street, dressing three Beatles for the Abbey Road cover and mentoring generations of cutters until his death in 2023.

Opened Nutters in 1969 and revolutionized the Row with open shop windows and daring cuts, dressing The Beatles, Mick Jagger and Elton John while keeping traditional bespoke craftsmanship at the core.

Rose to head cutter at Gieves & Hawkes — the first woman ever to hold the role on Savile Row — and in 2016 became the first female master tailor to open her own shop on the Row.

Arrived from Trinidad in 1970, became the first Black owner of a Savile Row house, earned an OBE for tailoring and training, and founded the Savile Row Academy to pass the craft on.

Became the youngest head cutter in Huntsman's 150-year history at 34, then co-founded Richard Anderson Ltd at 13 Savile Row in 2001; his book 'Bespoke: Savile Row Ripped and Smoothed' opened the cutting room to the world.

Leads the Row's oldest tailoring house — creator of the dinner jacket and holder of royal warrants — carrying a family line of tailors unbroken since 1806 into its third century.

Worked alongside Tommy Nutter and Edward Sexton before co-founding Chittleborough & Morgan, and was awarded Master Tailor by the Worshipful Company of Merchant Taylors in 2015 for some of the most technically demanding tailoring on the Row.

Youngest tailor to open on the Row at 28 and the first to show in Paris, he fused Savile Row cut with Ghanaian-inspired color, served as creative director of Givenchy Homme, and earned a V&A retrospective.

Trained under Tommy Nutter and helped revive British tailoring in the 1990s from his Spitalfields atelier, dressing films from Atonement to Skyfall and Mission: Impossible, and earning an MBE for services to fashion.

As the Duke of Windsor's tailor from 1919 to 1948 he created the drape suit — fuller chest, soft shoulder, nipped waist — arguably the most influential silhouette in 20th-century menswear; his coats survive in the Met's Costume Institute.

A Scottish-trained cutter who led Kilgour's cutting room before taking the helm at Huntsman in 2014, he guards one of the Row's most distinctive one-button house silhouettes while designing its modern collections.

At his cutting table six days a week since the 1960s, he preserved the round, soft Florentine silhouette when it nearly vanished, and now teaches it to apprentices from around the world.

As head cutter at Gennaro Rubinacci's London House he stripped the English jacket of its padding and lining, creating the soft, deconstructed Neapolitan style that shapes how much of the world dresses today.

Took over London House at 18 and built Rubinacci into the global ambassador of Neapolitan elegance, founding a museum of Neapolitan tailoring and dressing icons for six decades until his death at 83.

Started in a tailor's shop at 11, cut at Rubinacci for over 20 years, and since 1991 has run his own Naples atelier — widely regarded as one of the last great freehand cutters of the Neapolitan school.

Learning from his father from age ten and cutting in his own atelier since 1966, he and son Luigi are counted among the finest living interpreters of the unpadded, high-armhole Neapolitan style.

Heir to a family that cut trousers for Naples' great houses, he turned a backroom trade into a celebrated craft in its own right — roughly 80% hand-sewn, capped at about 1,600 pairs a year.

Since 1970 she has hand-made shirts considered among the finest in the world, building an all-female atelier now carried forward by her daughters — a rare matriarchal dynasty in Italian sartoria.

With his father Francesco — who made over 200 suits for Gianni Agnelli — he runs a family workroom whose 'soft Milanese' cut has made it one of the most sought-after small tailoring houses in Europe.

Guardian of the famous Cifonelli shoulder and the highest armhole in the business, he carries a house founded in 1880 that dressed Cary Grant and Marcello Mastroianni, while constantly inventing new cuts.

With his father Marc and brother Charles he shares one cutting bench at the family house famed for its 'fish-mouth' lapel and teardrop pockets, keeping grand Parisian bespoke alive into a third generation.

Moved to France in 2003, rose to head cutter at Francesco Smalto — a remarkable feat for a foreign tailor — and since 2013 has run his own Paris maison prized for its precise French 'fish-mouth' cut.

From his 1950s time-capsule atelier in Shibuya he has, since 2002, perfected a hand-made homage to golden-era Madison Avenue style, becoming a touchstone for the global Ivy revival.

Apprenticed at Sartoria Dalcuore and Pascariello in Naples before founding Ciccio in 2008, he leads the wave of Japanese tailors who mastered Italian craft and made Tokyo a world bespoke capital.

Left Osaka's Ring Jacket factory for Florence in 2004, opened Sartoria Corcos in 2011, and built such demand for his modern Florentine cut that his waiting list closed to new clients.

With his father, master tailor Park Jung-yul (est. 1967), and brother Changjin, he turned a Gangnam family workshop into one of Asia's most admired bespoke houses, trunk-showing across the globe.

For five decades he has run the shop his father founded in 1957, suiting US presidents, British royals and rock stars, and received an MBE for his contribution to Hong Kong tailoring's global fame.

With W.W. Chan since 1986, he preserves the exacting Red Gang (Shanghainese) tailoring lineage — fully hand-sewn canvases, British lines with Italian softness — earning the house a reputation as Asia's most craft-focused tailor.

Learned to sew as a prisoner at Auschwitz, arrived in America in 1947 with nothing, and built Brooklyn's great hand-tailoring factory — dressing presidents from Eisenhower to Obama before his death in 2024 at 95.

From his East 53rd Street atelier he has cut power suits for The Irishman, The Wolf of Wall Street and Succession, making him Hollywood's quiet standard for authentic bespoke on screen.

One of three Italian master tailors whose devotion to the craft was chronicled in the acclaimed documentary 'Men of the Cloth', he embodies the immigrant artisans who kept bespoke alive in America.

Opened his Roma workshop in 1990 and built an international clientele on uncompromising hand craft, passing the trade to sons Darío and Alejandro and putting Mexican bespoke on the world map.

Since founding his São Paulo house in 1981 he has developed his own pattern methodology for the Brazilian physique and elevated the national standard for tailored menswear, dressing the country's business and political elite.

A Parsons-trained descendant of Jodhpur's founder, he resurrected the bandhgala jacket and Jodhpuri breeches as global bespoke garments, dressing figures from Amitabh Bachchan to the Emir of Qatar.

Left a corporate career to train as a tailor and built ATAFO into Nigeria's premier bespoke house, blending Savile Row discipline with Nigerian fabric traditions and earning coverage from CNN Africa to Forbes Africa.

Built her English shirtmaking atelier in Gloucester employing local craftspeople, earned an MBE for entrepreneurship, and founded Style for Soldiers to make bespoke shirts for injured servicemen and women.

After cutting her teeth at Huntsman, she opened The Deck in 2019 — the first shopfront for women in the Row's 200-year history — and made it the Row's first B Corp certified tailor.

Interning on the Row from age 15, she gambled her final year of university tuition to launch Gormley & Gamble in 2014 at 21, opening made-to-measure tailoring to women at accessible prices.

After eight years under Joe Morgan at Chittleborough & Morgan, he opened his own atelier in 2017 where a single pattern can take 20 hours to draft — extreme craft that critics call some of the best tailoring in Britain.

A fifth-generation tailor who apprenticed at Henry Poole and won the 2009 Golden Shears, he founded Ireland's Handcraft Tailor Academy in 2016 to teach full bespoke coat-making to students worldwide.